The Death Of Polaroid

This photographic project emerged from a strong emotional reaction to the potential closure of Polaroid, whose instant film processes had become closely tied to the artist’s developing creative identity.

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Confronted with the possible disappearance of the medium, the work began to explore forms of attachment directed toward technological objects rather than people. Through image-making and reflection, the project examined how creative tools can become sites of projection, investment, and loss.

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The experience prompted a broader investigation into mediated relationships and the ways emotional responses can be shaped by systems of production, consumption, and technological dependence.